Grey's Anatomy: With a Little Help From My Friends (18x04)

This episode felt a bit like treading water to me.

Cons:

So... is Megan like... sticking around? I find it odd that she and Owen have spent so little time together, and that we're adding this contrived thing where Farouk is sick. Give the poor kid a break, after everything else he's been through! Maybe they're setting up a Hayes/Megan thing since apparently Riggs and Megan broke up offscreen, and they're pairing Meredith with this new boring Minnesota guy? I don't know. I'm not saying I'm completely uninterested in all that, but I will admit I'm kind of confused how it fits in with everything else.

In this episode, we get Amelia explaining herself to Addison, the reason why she and Link aren't together anymore. "I hated the life that he loved." Basically, she was overwhelmed and miserable and close to relapse during the pandemic, while Link was handling it better and falling in love with domesticity. I guess I can understand this, and it does feel a bit more grounded than a lot of the earlier stuff with this dumb drama. But it still just feels super contrived. This show needs to learn how to make established couples interesting. Breaking them up at all felt like such a cheap and unnecessary move, and so all the time we're devoting to it just makes me frustrated anew every time. We don't have much time to spend with Addison, and she spends it helping Amelia with her relationship drama? What about Jo, having a new mentor? What about Meredith and the kids? So many more interesting things could have been happening here.

Grey's Anatomy: Hotter Than Hell (18x03)

Well... awww. That was kind of adorable.

Cons:

There was a moment when Link and Teddy were together and Link was lamenting all this bullshit with Amelia, and Teddy was like "trust me, I've been there" and like... bitch, what?!?! Sorry, but Teddy cheated on Owen, meanwhile Link has done nothing wrong and also Amelia was the one who was manipulative and difficult in their relationship. Not to be an Atticus Lincoln stan or anything, but Teddy, these two things are not the same. Jeez.

I found Hayes' subplot about his kid not talking to him... well, it's not that it's a problem in and of itself, but I found it to be a little one dimensional. See, there's a sixteen year old girl who ran off to meet an internet friend and got injured, and she refuses to call her parents. The guy she's with says she really hates them. Now, I know teenage angst is a thing, but if you're that seriously injured and in that much pain, surely you'd still want your parents with you. Unless, of course, your parents are seriously bad news: neglectful or abusive or in some way otherwise unsuited to parent you. The whole time this subplot was going on, I expected there to be a reveal/twist that the patient had good reason for wanting to avoid her parents, and that Hayes was allowing his own situation to cloud his judgment. But... nope! I don't know, maybe I'm being overly sensitive to this, but I feel as if this whole idea lacked nuance.

The Walking Dead: For Blood (11x08)

Well, for a midseason finale I'm a little bummed we didn't spend any time with the most interesting characters or plot threads... let's dive in.

Cons:

So like. I'm not invested in Daryl and Leah. So when Leah does her whole double-cross thing and I think we're all supposed to be like oh no, poor Daryl, I'm just like... yeah, dude, you have a family and it's not her and it never has been. We saw them sharing a life together in one episode forever ago, and it wasn't exactly a convincing portrayal of love ever after. I also thought Daryl was kind of a dumb dumb about this whole situation, like, did he really think after seeing all the fanaticism that Leah was going to just come with him? He should have run without waiting for her to cross him.

I'll also just say as a more general note that nothing is new under the sun, so even elements of the story that feel perfectly adequate, where I can't point to it and say "this is stupid and here's why", still aren't grabbing my attention in a meaningful way. Like in Alexandria, I wanted Virgil and Judith to talk more about Michonne: that's interesting, that's character-driven drama and intrigue. But instead the bulk of the story there is dealing with inclement weather and a Walker breach, so we've got all the cute kids in peril and Carol, Rosita, etc. running around trying to save the community from crumbling entirely. I get that the stakes need to be high, but sometimes the stakes are boring because we've seen them over and over again.

Grey's Anatomy: Some Kind of Tomorrow (18x02)

Okay, stuff is happening, let's dive in!

Cons:

I'm not sure I like the wishy-washy decision that we reach in the Meredith plot. So she's going to accept the huge cool new opportunity, and she doesn't have to move away from Seattle? Okay... seems kind of weird to artificially inject that drama, doesn't it? I also just find her love interest dude to be pretty bland. Not bad by any means, but also not particularly interesting.

Owen and Teddy are not compelling to me as a couple, sorry! I feel the need to keep repeating that.

The Walking Dead: Promises Broken (11x07)

This felt like a "arranging things on the chessboard" episode in that a lot happened but a lot of it felt like a ramp-up to something more down the line. That's not necessarily a bad thing, although I do have my complaints...

Cons:

At this point the whole Pope thing, with Daryl and Leah and whatnot, is just... not working for me. I like Daryl, I like seeing how he's going to be able to make it out his various scrapes, but I'm... bored and annoyed and I feel like there's nothing new to explore with this concept.

The scene where Eugene punches a guy for being rude felt so overprescribed, like, it was obvious from minute one that this performatively douchey dude was going to wind up being the son of someone important and it would mess with their chances. I had (and still have) such high hopes for this weirdly sheltered community and where the story might go from here, but that moment was such a cliché that I couldn't really get behind it.

Grey's Anatomy: Here Comes the Sun (18x01)

We're back!

Cons:

Hey, I still don't care about Teddy and Owen! The big cheesy wedding in the bar at the end does nothing for me at all, I feel nothing, I am dead inside!!! I think it's just that they've both been fundamentally so shitty to other characters, and that Teddy had an actually somewhat interesting vibe with Tom, and that a lot of the characters who have sustained me in these later seasons of the show are gone now... it's all just a little draining. It was nice to see Megan, but her and Riggs broke up? Oh come on! What's the point of that! If they're not on the show anymore, just let them stay together! They had a death defying love, for god's sake!

The guy that Meredith has dinner with is apparently someone who's been on the show before, but if you gave me a million dollars I wouldn't be able to tell you anything about him or his impact on her or the show. It's been four seasons and several other potential Meredith love interests since then. Why bring this guy back? I like the whole Cormac Hayes romance. I like the information we got here, that they'd tried to date but that Cormac's son had had a hard time with it. That's an interesting story right there. Why bring in this rando? I get this is a soap opera, but Meredith has mellowed out over the years. Give her a fundamentally peaceful, if still complex because they're both single parents with dead spouses, romance! It's sitting right there, for goodness' sake.

The Walking Dead: On the Inside (11x06)

That was legitimately quite spooky, I've got to admit!

Cons:

The problem with this show and all of its same-y storylines is that... well, I don't care enough to pay attention, and thus I have to look up characters. I didn't realize who Virgil was until halfway through the episode, because this show's ensemble cast is just too dang big! I like Virgil, I liked him and Connie and their scenes, but I wish they'd do a damn "previously on" or whatever so I could remember this stuff.

I continue to be unimpressed with the whole "Reapers" story-line. I like seeing Daryl handle it and come up with creative ideas to help his friends, but beyond that, I find "Pope" to be an obnoxious addition to our long list of villains, and all the macho posturing and hostility from the one random guy that hates Daryl... I just don't feel any interest in this whatsoever.

The Walking Dead: Out of the Ashes (11x05)

I wouldn't say this episode was some fantastic gem that made me invested again, but it did feel a little more attention-keeping than some of the others.

Cons:

While there were good things about seeing Alexandria and the kids, and seeing the impact this way of life has on people, I did think some of the Judith stuff was a little cheesy. Rosita telling Judith that everyone she loves is still with her in her heart or whatever... give me a break.

I'm a broken record on this, but Negan and Maggie just aren't keeping my attention this season. I'm not invested in this conflict, because it's not nuanced or interesting. Either Maggie kills him or she doesn't, and I don't care enough about Maggie as a character, or Negan and his redemption arc, to feel invested in this. When some of Maggie's people showed up at the rendezvous, it was clearly supposed to be a big moment of relief, but I don't know or care about any of those characters, so...

Brooklyn Nine-Nine: The Last Day (8x09/10)

I wish I felt more, I honestly felt kind of disconnected from this finale, just like I did the whole season! It wasn't bad, but it didn't really spark joy.

Cons:

This season tried to clumsily address issues of police brutality, only for the finale to have no mention of it. I'm not trying to be a party pooper here but if this season is meant to talk about the desperate need for reform, and then the finale is... well, Amy and Holt got those promotions, Terry gets a promotion, Jake's going to be a stay-at-home dad, the end? The show's status quo hasn't really shifted here at the end. It's a little bit more of the same.

It's hard to articulate, but the comedy just didn't really hit for me in a lot of the heist scenes because it was actually too convoluted to follow. Whenever we saw somebody win out over someone else, turns out there were still three or four layers of betrayal until we uncovered who actually had the lead all along. I know it's meant to be more comedy than an actual mystery to solve, but if it's this convoluted, it's not even clever anymore, it's just a lot of chaos being thrown at the screen until the episode ends.

The Walking Dead: Rendition (11x04)

Guess who gives a shit about Leah? Well, I don't know. But it's not me.

Cons:

So, the Reapers are a creepy group of religious extremists who speak in flowery, over the top language and are creatively violent with strangers? Wow, how original. I just can't give a shit about the various cults we've been introduced to over the years. The Governor, Negan, Alpha... where does it end? I can't bring myself to be invested in "Pope" and his creepy speechifying. It all just blurs together in my head.

Even when he burns one of his men, I'm just like... okay? I didn't know that guy. Do I care? It shows that he's insane, but was I really supposed to be surprised by that revelation? If anything it just makes me more bored and annoyed by Leah.

The Walking Dead: Hunted (11x03)

This episode was so much time with characters I don't care about, doing stuff that bores me because we've seen it a thousand times.

Cons:

You mean to tell me that Maggie and her gang are in danger from a group of dangerous and insane humans who want to hurt them in creative ways for some unknown reason? Wow, what a novelty! There was a death scene in this episode where I literally didn't know who the person was or what his relationship to Maggie had been. Maggie shows up and has this off-screen closeness with all these people, but we the audience don't know them, so it doesn't work to elicit any sort of emotional response!

Same with when Maggie is watching a girl get torn apart in front of her. Who was that? I don't know and I don't care. Even when she's chatting with a dude from Alexandria who used to be with Negan, I don't remember this guy or if he has a preexisting relationship with Maggie or why I should care. They leave him behind and it's supposed to be this poignant moment, but I don't give a shit! I should say that this is in large part my fault, because I could pay better attention or look this stuff up, but honestly the show hasn't made me care enough for that to seem compelling. So who are you really going to blame?

Brooklyn Nine-Nine: Renewal (8x08)

Okay I'm trying to be chill about this but I honestly think this show's treatment of police corruption is SO messy and convoluted!

Cons:

This episode features two characters grappling with their relationship to their work. Holt, who is going to retire to please his husband, but who in the end just takes a new role, because his job is important to him and Kevin respects that. And then Amy, who gets a big promotion to chief, and wonders how she's going to balance work and family.

Okay, so, this is fine, right? Except... the careers they're both talking about are careers as cops, and there's a lot of baggage in turning that into a big part of your identity. Do we praise the show for showing that Amy and Holt are both dedicated to reform, and that's why they're currently passionate about their careers? Because that hasn't exactly been a consistent factor, and we need to be honest about that.

Brooklyn Nine-Nine: Game of Boyles (8x07)

That was a solid installment, I will say. Probably because it stayed away from the precinct and police work and didn't make me think about all the messy ways this season has tried to grapple with serious issues.

Cons:

The fact that Jake is on suspension barely seems to register in this episode. He has a moment where he's too caught up in Charles' family drama because he misses being on the job, but other than that brief mention, this episode doesn't feel any different than any other. I want consequences to matter on this show.

I really don't understand including this late game... twist? I guess? That Charles is the product of an affair and thus not a "real" Boyle? It's the kind of thing that a better show would contemplate as an actual psychological factor in Charles' life, but here it's introduced and doesn't matter by the end of the episode. Just kind of clunky.

The Walking Dead: Acheron: Part II (11x02)

Hey so I'm sorry but I don't care about Maggie.

Cons:

This episode, much like the last one, had large stretches where Maggie, Negan, Daryl et. al. are just wandering around dealing with Walkers in the dark and there are zombie noises and it's hard to see and I just... zone out, waiting to see who, if anyone, gets hurt or dies. And in this episode, there are characters who lose their lives whose names I literally never bothered to learn. Like the guy who says "tell my kids I didn't die a coward" - who was that? I don't know and I also do not care!

I also feel like the stakes are a little hard to grasp when we haven't checked back in with Alexandria in these first two episodes. I want to be reminded of the home base they're all fighting for, so I understand what the risk and what the reward is. That's a small thing, but it's there.

Brooklyn Nine-Nine: The Set Up (8x06)

Repeating myself here, but it is a tough pill to swallow, watching this show try and muddle its way through these serious topics.

Cons:

I think one of the things that's started to rub me the wrong way more and more is how... gleeful Jake is about his job. He's excited about a bomb on a bus because it's like a movie. His whole childish delight in the potential for disaster is supposed to be an immaturity thing, and I get that, but it's also kind of gross. Because they're trying to show the corruption in the system, the fact that Jake is so eager for a "cool" case that he ends up arresting an innocent man is... well, I know the episode paints it as a problem, but for me it was hard to root for Jake at all in this episode, and I do think that's an issue.

Pros:

That said, this is probably the strongest episode of the season thus far, at least in terms of addressing corruption in a real way and also being funny. O'Sullivan is cartoonishly evil in his desires, so the moment when he's offering Jake help really shines a light on how anyone can get pulled into the corruption. I like hating this character; the delivery was excellent, I loved the repeated blackmail attempts that didn't work.

Brooklyn Nine-Nine: PB&J (8x05)

Okay... is anyone else just over it all?

Cons:

Somehow the whole Doug and Jake friendship thing is rubbing me the wrong way when you have a black criminal and a white cop and they're such good buddies but like... Jake is still taking him to prison for five years, and then he has to stop him from escaping... does anyone else get like, weird vibes from it? It's not that I hate Doug, but I kind of hate the whole cat and mouse thing when it's a comedy parody of a black man with a family desperately, frantically, trying not to get locked away for five years. I don't know.

Then there's the whole "Jake might lose his job" thing. Are they trying to set this up like that's the outcome at the end of the season? Jake and Amy and the others all quitting their jobs because being a police officer is bad? I just wish this sitcom wasn't trying to take on the whole weight of police corruption in hits final ten episode season. I want to say it's... admirable that they're addressing it? But honestly it's messy as fuck to try and do this, and I'm not convinced it's working. There's no nuance being added to the conversation, here. Do I think Doug should go to prison? Well, no, but then I'm a fan of abolishing prisons altogether for nonviolent crimes. But should he escape and just be a fugitive? Seems like an unsustainable system, to me. But in setting up these two options as a dichotomy we ignore the fact that Doug is a nice person but undeniably a thief who keeps going back to his life of crime, despite saying he's left the life. They've circled the drain with this character so many times that I don't even know what I'm supposed to think anymore.

The Walking Dead: Acheron: Part I (11x01)

Man, the degree to which I Do Not Care is kind of bumming me out. I'm trying to be excited to see what this final season of the show will bring, but I keep thinking about how this sucker is going to stretch over two years of airing and I'm already tired! Let's take a look.

Cons:

Maggie's plot thread is the one where I found myself not caring the hardest. Basically, she and Daryl and Negan and some other randos are on a mission to find food, because Alexandria is low on supplies. They have to go through a creepy tunnel full of dead bodies-slash-Walkers that keep waking up to accost them as they approach. They're silent because their throats have been slit, so that's adding a creepiness factor to the proceedings, for sure.

A lot of this plot is just silent shots of people walking, killing Walkers, being scared, the screen is so dark I can barely see what the heck is going on... I don't care... then we get a spike of interest with Negan confronting Maggie, and then that stupid cliffhanger where it looks like Negan leaves Maggie behind to die.

Brooklyn Nine-Nine: Balancing (8x04)

This one was just kind of "blah"' to me.

Cons:

The main conflict here is about Jake and Amy juggling between work and childcare. Things get chaotic when an outbreak of lice shuts down daycare and forces them to have Mac with them. Amy is working on a big presentation that could lead to important police reform. Jake is working on a long-running murder case with a murderer who provides fun clues and riddles that Jake loves to solve. I guess I really just noticed the triviality of it all? Especially Jake, upset that he was missing out on the "fun" murder case. Like. People are dead, though? And Amy's reform presentation was unsurprisingly vague, it was just clear that she was a good guy fighting the good fight, while her opposition was one of those bad racial profiling proponents. It all felt a little too neat to me.

The entire concept fell a little flat, too. The struggle was Jake and Amy each having to potentially give up important work moments for the sake of raising their son... but at no point did they go to the obvious solutions. When Charles is standing right there, basically it's like... Jake could take lead on the case or Charles could. Why didn't Charles offer/why didn't Jake ask, for Charles to watch the baby while Jake went? And Amy has Terry following her around as a cheerleader while she's preparing for a presentation. That she's giving alone. Terry seemed to have nothing else to do - why didn't he watch the baby? Meanwhile, Holt and Rosa's subplot is happening in the background - they certainly didn't seem busy! Why not ask one of them? The whole thing just fell apart for me.

Brooklyn Nine-Nine: Blue Flu (8x03)

I'm not sure how to fully articulate the level of distaste I felt at watching this episode. I don't envy the writers the task they have, at trying to keep a liberal show going under the guise of all the main characters being cops, but... this ain't it, that's all I can say.

Cons:

So, the premise of this episode is that a bunch of police officers pretend to be sick in protest for a police officer being "attacked" when he found a mouse in his burrito. They're obviously faking, so it becomes the task of the Nine-Nine to prove that it's a hoax and end the "Blue Flu" so the cops will get back to work.

Um... okay. So. Collective action is one of the most important tools our workforce has to combat unfair working conditions, right? In this story, the cops were striking for a bad reason, pretending to be victims and basically punishing the populace for all the anti-cop sentiment that has been rising up over the last couple of years. But in concept, unions are... good? And the collective power of a strike is... good? I just found it really weird that this story was: "let's stop people from striking." It felt messy to me, when in reality, if we really, really want to be honest about the police: each individual police officer isn't a "bad person", whatever that means. Pretending they're all evil and want to hurt you isn't going to do any political good. If all the "good ones" or whatever could use their collective bargaining power to demand real systemic change... that's a good thing? We should want systems in place allowing them to do that?

Brooklyn Nine-Nine: The Lake House (8x02)

Well... why did we resolve the Kevin/Holt thing so quickly? That was kind of weird!

Cons:

Maybe I just like angst too much, but I would have liked to explore Holt and Kevin's relationship issues a bit more before just saying they're going to try and get back together. Maybe we'll get to learn more about how they're doing in couples counseling? But in that case, why not just frame it that way from the beginning, instead of saying they've separated, which makes it seem way more serious? I don't know. I just thought it was all kind of abrupt.

Maybe because this was a vacation episode where the gang is away from the precinct, but I found myself missing Gina's energy. I hope she makes at least an appearance or two in this final season.