This show makes me wish I was smarter and better at articulation so I could explain what I think is genius about it.
Cons:
I almost wish the episode hadn't included the intrusion from the past at the end, and had instead ended with Barry and Sally and their son just... living their strange lives together. The bit at the end with Cousineau returning from hiding and ready to tell Barry's story, and Barry saying he'd have to kill him, felt like more of a plot gimmick than anything, and I think it would have been cool from a pacing perspective if like... that happened at the start of the next episode, leaving this one in this strange unfamiliar space with nothing to latch onto from the past. It's a small thing, I just thought the very ending of the episode was the weakest part.
Pros:
Something about the way this whole episode was shot and paced and scripted just made everything feel so alienating. There weren't very many close-ups on faces, a lot of wide shots to show the loneliness but also the oppressiveness of their lives. Also a lot of playing around with what we can and cannot hear; murmured conversations that John can hear his parents having through the wall, that kind of thing. I loved the sense of creeping dread the whole thing provided. It was unsettling in all the best ways!
The psychology of Barry as a character is fascinating to me because what you might assume someone would do in this situation was cut the past out of his life entirely. And yet instead of doing that, he's telling John about his time as a marine, in order to impress his kid. He's pretending to be a gentle sort of guy who never gets angry, and he's painting stories of heroism instead of violence to demonstrate the nobility of his past.
And Sally, now going by Emily, is totally detached from the world around her, not even attempting to cross the divide and connect with her husband and son. Her dead-eyed behavior with the creep in the diner, all the way through choking him and then without seeming remorse getting an innocent person fired by accusing him of stealing from the till, the way she talks to Barry on the phone while drinking straight out of a liquor bottle leaning up against the side of the car... her existence is so bleak, and we get so little insight into how she's feeling about things, other than just... bad. There's the parallel that as Barry is recounting glory days to their son, Sally is also caught in the past, watching clips of her former assistant interviewing about her big TV show that's just coming to an end, a show that was meant to be Sally's.
The themes of "clean living" and the religious overtones are interesting, because you get the sense that Barry decided one day what kind of family they were going to be, and then decided to method act his way into making that the reality. The stilted conversations about Lincoln's origins and eventual legacy were a great way to drive this home. I love how Barry quickly pivots from praising Lincoln to learning the less ideal parts of his history, and then goes down a rabbit hole of finding out all the bad stuff that historically "good" people have done. Gandhi, St. Augustine, etc. Like, that's relatable as fuck, Barry. Nothing's sacred anymore.
We end with Cousineau reappearing, wanting to help make a movie about his experience with Barry. Sally calls to Barry, using his real name for the first time all episode, and as John, off screen, asks "who's Barry"? Barry rushes out to see the news article on the computer screen. I did like that this was the moment we saw Sally coming the most alive all episode, when the past finally seemed to be catching up to her. And Barry's commitment to living a better, cleaner life goes out the window when it looks like the past might be catching up with him.
All in all, excellent stuff. The flash-forward at the end of the last episode was an excellent teaser to what turned out to be a genuine eight-year time jump, and now we've just got to wonder what some of our other characters have been through in that intervening time. Hank? Fuches? It's going to be interesting to find out.
9/10
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