The Handmaid's Tale: Unfit (3x08)

Um. Well, that happened. That certainly was... something.

Cons:

Can we talk for a second about the utterly clumsy way this show deals with race? It makes me cringe every time. For the most part, they try to pretend this is a totally post-racial society, but obviously they can't pull that off. And then they have some casual moment where Aunt Lydia tells some other aunts that a certain couple doesn't want a "handmaid of color," so clearly casual racism is not only present here, but also condoned by the elite. Because, duh. Gender politics cannot exist separate from racial politics. And yet this show is not willing to grapple with what that means.

Especially considering June, who is the Whitest of White Feminists in this episode, and honestly, throughout the whole show. Her plot armor is seriously becoming a problem for me. June and the other Handmaids are open and unsubtle in their shunning of Ofmatthew, because they are all furious with her for turning in the Martha who was helping June. What happened to the first season, when the rebellion was deep, deep in the shadows? Now the majority of the Handmaids are allowed to be insolent. And then June is even more insolent, right to Aunt Lydia's face. She seems to think that her usefulness as publicity in the hunt for Nichole will protect her, and... that seems to be true, for some reason. But why? June could be flogged, or she could be castrated, or any other number of horrible things that would be invisible to a camera. June's cocky self-assured attitude is only made more frustrating by the fact that she seems to be right about being weirdly untouchable.

There were some things in this episode that I liked as individual pieces, but I'm still frustrated with these aspects as I look at the episode as a whole. For example, the idea of Ofmatthew cracking under the strain of her public shaming, in conjunction with her fear for her pregnancy, is a totally reasonable avenue to explore. But since we haven't spent any real time getting to know Ofmatthew, it feels instead like this big blow-out at the end of the episode is all just a part of June's story, instead of the story of a woman with her own story to tell. There was potential here, and there were moments that came close to tapping in to that potential, but the reality fell short. There are also two other reasons that the ending of this episode, particularly Ofmatthew's death, annoys me, and they are the two reasons discussed in earlier paragraphs.

1) We're seriously going to end two episodes in a row with the death of a black woman while June looks on, untouched by the physical consequences of her own actions? Yeesh. 2) She's pregnant. I give the show props for making me gasp when Ofmatthew got shot, because even as I critique this episode, I will acknowledge that I have very much bought in to the universe they've created. I was shocked that a pregnant Handmaid would be shot, because... it's shocking, and despite that moment of adrenaline, it's ultimately a stupid call for the writers to have made. Aunt Lydia is not as valuable as a pregnant Handmaid. Part of the visceral horror of Season One was the idea that the Handmaids would be punished physically and psychologically, but they never had to fear for their lives, because their bodies were far too valuable. There was something twisted and creative in how the system worked to break these women without ever being able to directly threaten them with death. And now, apparently we're just shooting pregnant Handmaids in the grocery store? That actually really broke me out of the moment.

Let's turn to the flashbacks for a moment. This is another instance where as a stand-alone thing, I quite liked learning about Aunt Lydia's past. I get the sense from other reviews that I'm in the minority on this, but I think Ann Dowd is so talented, and the story worked for me on the level of examining the early symptoms of Gilead, even before things had started in earnest. But on a macro level, these flashbacks still bothered me for a couple of reasons. For one, the themes explored in the flashbacks did not connect with the story in the present-day, other than that both were centered around Lydia. The flash-backs are about a woman who genuinely wanted to help people, turned bitter in part by her evangelical beliefs and in part by her loneliness. The present-day story is about June turning more and more ruthless, and Ofmatthew losing her grip on her sanity. What am I meant to understand by learning a bit more about Lydia's former life? And that's the second problem, honestly - from just this episode, I might get a good-ish understanding of who Aunt Lydia is meant to be as a character, but if you combine these flashbacks with what we've seen of her character so far, it doesn't really track. Aunt Lydia's characterization is all over the place. She seems to slide on the scale of devotion to Gilead depending on what the plot needs from her at any given moment. For a long time, I've held out hope that we would come to some sort of emotional core for this character and finally understand what makes her tick. But if these flashbacks were meant to provide that clarity, in my opinion they failed.

Pros:

Let's talk about June. Because on the one hand, I'm annoyed about the plot armor, as discussed above. And it's tempting to be upset and frustrated by how unlikable June is becoming. Last week, I certainly felt that way. But I'm trying to take the long view. Turning June into something of a villain is... well, it's not a totally crap idea. Maybe the final consequence of the torture she's been through is that there is no coming back for her. Maybe she'll keep being cruel and single-handed, focused on saving Hannah and nothing else. Maybe she'll nod sagely as Handmaids hold guns on her, and maybe we'll be hearing more voice-overs indicating that June is not only willing to inflict suffering on others... she's starting to enjoy it. I can't really sense what the endgame would be here, short of killing June off and letting the story continue without her. But that might not be as crazy an idea as it first sounds. This universe that they've created has legs. There are so many stories to tell. I'd be okay with telling those stories in a world where June is no longer at the center of them. Maybe that's not where this is going. Maybe I'll have to eat my words and be frustrated in the next couple of episodes at the direction the show turns. But for now, the idea of villainous June is kind of interesting!

One thing this show always does well is showing the creepiness of Gilead through the ceremonies. We have the birthing ceremony that ends in tragedy, as another Handmaid's child is stillborn. And then we have the shaming ceremony. It might be ridiculous to me that June doesn't suffer harsher consequences, but I do like the way Aunt Lydia's role in this shaming ceremony echoes her past as a teacher. The Handmaids are her students, parroting her words and internalizing the harsh messages they are forced to repeat, again and again. It's chilling, and it's meant to be, and it's a good scene, even with the flaws in the larger setup.

As I said, Ofmatthew unraveling and breaking down was actually an interesting idea, in and of itself. The acting and the pacing in that final scene was truly superb. At least in the moment, when I wasn't questioning the larger writing decisions going on, I was totally gripped. I thought Aunt Lydia might be about to die. I even thought Ofmatthew might actually shoot June, although I wasn't thinking June would actually die from it. And then when the shots rang out and Ofmatthew dropped, I literally flinched. I wish this story-line had explored more of its potential, but I did think this high-intensity scene worked really well on its own.

And again, I did enjoy the flashbacks for their own sake. I think it's interesting that Lydia was turned towards a darker, more cynical path because of her attempts to find love again. I read in another review that it seemed stupid to make Lydia evil because she was rejected by a man, but that's not the way I read the moment at all. She breaks so many of the rules she had set for herself on that New Year's Eve. She drinks, and she lets herself be comfortable, and she indulges her desires. Suddenly, she realizes that she's slipped away from the righteous path, and she over-corrects in a big way. That's interesting to me, and I hope that we can get some more clarity on Aunt Lydia's characterization moving forward.

I also like all the hints of the changing world. It reminds me of some of the Season One flashbacks. We learn that Child Protective Services has been replaced with privatized organizations, ones that ask questions like "do they go to Church?" in order to determine if a home is fit for a child. We see how Lydia is uncomfortable and judgmental of Noelle's behavior, and at first it seems perfectly reasonable, because she is neglecting her child. But there's something more dangerous underneath that, as Lydia is judging not only Noelle's parenting style, but her wearing of makeup, and use of profanity, and relationships with men. It all bleeds together, so you can see the sinister creep of Gilead's power beginning in these moments.

So... yeah. This is a very long review, and unfortunately a lot of it is less than positive. There are elements that have promise, and I'm giving this show the benefit of the doubt, because I believe it deserves that. But I'm also starting to feel like the writers need to re-evaluate some aspects of the story, and figure out how they're going to keep moving forward with June as a protagonist.

6/10