January 09, 2017

Sherlock: The Lying Detective (4x02)

Okay. So. Anybody who has read ACD's short stories might be familiar with "The Dying Detective," a story wherein Holmes pretends to be grievously ill in order to catch a bad guy, and he doesn't clue Watson in on the plan. Going in to this episode, I knew that Sherlock would have a trick up his sleeve. How did it all pan out? Let's take a look.

Cons:

I have a lot of questions and complaints. To start with the briefest of plot summaries: Sherlock is in a terrible drug spiral, John is roped in to help him take down Culverton Smith, a very wealthy man who Sherlock believes to be a serial killer. In the end, John sees the video that Mary left for Sherlock, and realizes that Sherlock has "gone to Hell" in order to force John to save him, thus helping him to save himself. John shows up in time to stop Smith from killing Sherlock. John then confesses to the hallucinatory Mary that he's been seeing that he cheated on her emotionally for the last weeks of their relationship. Then there's a big giant twist, which I'll talk about in the "pros" section a bit later.

So. Problems. I have 'em.

I seriously want to punch Steven Moffat for the way he writes his female characters. It's gone beyond what I can in good conscience ignore. Molly gets like two seconds of screen time, as we see that she's been helping babysit Rosie. She also shows up to do a drug test on Sherlock and confirm that he's got weeks left to live if he keeps using at this rate. Then she's never there again. What a waste of a talented actor and a dynamic character. She has become nothing but a plot convenience, whose entire character is there to serve the emotional needs of the male leads.

Speaking of which, Mrs. Hudson was sort of a bad ass in this episode, as she cuffs Sherlock and stuffs him in a car to bring him to John, tired of his drug addled ways. This was a cool scene, but take a closer look: we later learn that Sherlock had predicted John's whereabouts and had told Mrs. Hudson to take him there. We also learn that Sherlock's entire emotional state is a long-con to "save John," so anything that happens to him while he's high is still all part of Sherlock's brilliant plan. We also get Mrs. Hudson saying that she's "not their housekeeper," but all she does in this episode is take care of poor baby Sherlock.

Irene Adler. You've got to be kidding me. She doesn't show up or anything, but she does send Sherlock a text on his birthday. This gives John the emotional catharsis he needs to tell Sherlock that he should grab the opportunity to go make out with Irene or something, since Mary's dead and John knows that chances don't last forever. Or something. My God, the forced heterosexuality is making my brain hurt. (As a side note, even Mycroft is given a female love interest in the form of Lady Smallwood. Can you not just throw us a bone? A tiny one? Nothing?) Irene literally, literally said that she was gay when we met her back in Series Two. I cannot believe they're still pulling this thing wherein she's supposedly attracted to women except Sherlock Holmes because he's just so awesome. Ew.

Mary spends the episode as John's hallucinatory guardian angel, constantly encouraging him to get back to his predestined life on Baker Street with Sherlock. It feels a bit like a slap in the face. Mary was never my favorite, and I thought a lot of the crazy crap she did was forgiven way too easily. But to have her in the story just to remind John that he belongs with Sherlock is just... it's just... oy vey. It's almost like saying "oh, that was a fun little experiment having a woman around to mess with our bromantic relationship. But Mary's gone now, back to business as usual!" And you have Mary herself giving John her blessing for this. And John "confesses" his affair to his mental delusion, so that we can see Mary smile sagely and tell John to go be the man she always believed him to be. This is just blatant proof that Mary's entire character arc, including most definitely her death, was there to serve the emotional catharsis of Sherlock Holmes and John Watson. It's Moffat's woman problem all over again. Some things never change.

And John... John's actually kind of a bad person? I don't know how to feel about this. Basically, Mary's plan was to have Sherlock fall so deep into despair that John would come through for him. But the fact is, John didn't. He didn't come to save Sherlock until he saw the video and realized that Sherlock was putting himself in harm's way to get through to John. Here's my big problem with this: earlier in the episode, Molly Hooper confirmed, with John standing right there, that Sherlock would be dead in a few weeks if he didn't stop using. And John did nothing. He knew how badly off the rails Sherlock was, and yet he still beat him to a bloody pulp and accused him of killing his wife. These things can be explained by John's anger and grief, absolutely. But for him to actually follow through with being a dick? For him to actually leave Sherlock to his drug-addled fate? The fact is, John's not an idiot. He sees how bad off Sherlock is, he believes it to be the actual truth. He'd need to be an idiot to not connect Sherlock's current state with Mary's death and their estrangement. And John does nothing until his dead wife shows up in a video to let him know that Sherlock is basically killing himself for John's sake.

I'm sorry, but... what a dick. This is sort of explained in the emotional catharsis moment, where John and Sherlock talk about their hetero love interests (barf) and John says that Mary was wrong about him being a good man. He says he wants to try and be the man she believed him to be. But that's just not... it's not... it doesn't hold true with anything we've seen of John's character. He is a good man. We've seen that time and again. He's loyal and forgiving and brave and smart and all of those things. His behavior in the last episode and in this one comes across as completely out of character. It's like they turned him into a jerk so that he could have an emotional breakthrough about how he's a jerk. That's not good character development. That's a lazy backslide leading to a cheap payoff. This development is also, apparently, supposed to be so that Sherlock could realize that John was "only human." I take it this was supposed to be a clever inversion. We've been so focused on how John views Sherlock, that we missed how Sherlock views John as this morally upstanding, untouchable god of goodness. Interesting in theory. In execution? Weak sauce.

Sherlock Holmes is always going to be a million steps ahead of everybody else. This is what makes a Sherlock Holmes story. I get that. In fact, this episode pulled it off successfully when Sherlock shows up at John's therapist appointment, having arranged to be there a full week before John even made the appointment. This was clever, and showed off Sherlock's deductive powers. The whole idea of going in to a drug spiral and using it to save John is also okay. But what I can't abide? He's drugged to the gills and being kept in Culverton Smith's grasp. At Smith's request, he says "I don't want to die" several times, actually choking up and starting to cry. We later learn that not only did he swap out his IV with saline, so that he wasn't actually being killed of an overdose, but that he also had a recording device placed in John's walking stick, because he somehow deduced that John would leave it as a parting gift for him, and that this would be how he'd catch Smith's confession on tape.

Nope. I'm sorry, nope. The whole thing works better if Sherlock actually does lose control over his faculties. I wanted him to be in actual, real danger of dying due to his drug use, not just the fact that Culverton decided to suffocate him. Sherlock was pretty messed up all episode due to his drug use, but at the end we learn that his actual plan went off without a hitch. Which is... pretty lame.

Lastly, we've got Culverton Smith, the villain who ended up coming across as even more of a cartoon than Moriarty. He was creepy, sure, and there were a few really great and chilling moments, like when he's messing with the corpses in the morgue. But in the end he's just a standard ego maniac who confesses to all of his crimes once the Great Sherlock Holmes takes him down with an elaborate plan that nobody else could have put into motion with such perfect ease. It's a little bit of a letdown. I thought this guy was going to be the real deal.

Pros:

Oh boy. I had a lot to complain about. One of the most difficult things about this damn show is that right alongside all of these legitimate and very serious complaints you have... off-the-charts incredible acting.

Benedict Cumberbatch gave an insane performance as Sherlock Holmes. Last week, I thought he was a bit hokey when playing high, but this week he was on it. My God. I really don't even know what to say about this. I won't bore you with too many examples, but just... the look on his face as John tells him he killed Mary, and then the look on his face later when John takes it back. The unbalanced, out of sorts way he deals with Faith Smith (Culverton's daughter... I'll get there in a minute). I think my favorite bit was his breakdown when he tries to attack Culverton with the scalpel. That was pure unadulterated panic on his face. He was scared and confused and I really don't think that level of animosity was in his original plan. Sherlock spends an entire evening with Faith Smith, and later meets her and realizes that the whole thing was a hallucination. (Sort of. Discussion of plot twist is forthcoming). His reaction when he realizes just how far gone he is... wow. Sherlock needed to let himself fall out of control for the sake of the plan, but I think even he wasn't anticipating it to go this far.

I mentioned how annoyed I was by Mrs. Hudson's service in the plot, but I do have to mention she was a total bad ass. She turned on the tears to get John to agree to see Sherlock, kidnapped Sherlock, held him at gunpoint, shoved him in her car... which is an awesome sports car, by the way. She also called Mycroft a "reptile" and kicked him out of her home, which was just beautiful in like twelve different ways.

Sherlock and John's relationship. Okay. So. It annoys me that Sherlock was so many steps ahead of everybody. And it annoys me that John wasn't going to save him until he learned it was a plan. It annoys me that they talk about their female love interests in their one and only intimate scene together. But my God. That scene. Sherlock is timid and apologetic and everything else in between. He desperately doesn't want John to leave, and John makes it pretty clear that he's only there because he has to watch Sherlock and make sure he doesn't get high again. There's this moment when John gets up to leave, and Sherlock asks "are you alright?" He's not saying it because he thinks he should. He's saying it because he really, really needs to know the answer. Everything he's been through, all the pain and the drugs and all that, he was doing because he wanted John to be alright. In this moment, he just wants to know if his plan was worth it. John breaks down, after talking to Hallucination!Mary for a moment, and then. Then. Sherlock Holmes gets up and holds John while he cries. He rests his head against John's and just cradles him. It was just the perfect moment and even if the lead-up to it had its problems... wow. I'm so grateful I got to witness that.

We've arrived at the last thing I need to talk about: the plot twist. Which was actually sort of several plot twists nested within each other. Everybody has been waiting for the secret Holmes brother, Sherringford. Mycroft actually brings up the name multiple times. We still don't know who Sherringford is, though... unless it's a code name meant to represent Eurus. Eurus Holmes, the East Wind... Mycroft and Sherlock's secret sister. Not only is she a secret sister, but we've actually already seen her. Three. Times. She's the girl on the bus that John had been texting with back when Mary was still alive. She's "Faith Smith," the woman who spends an evening with an extremely high Sherlock Holmes. Turns out, not a hallucination after all... just Sherlock's sister. And finally, she's John's therapist, a woman who sits across from him and listens to him talk about himself. As the episode ends, Eurus reveals the truth to John, and then points a gun at him, holding him hostage.

Eep! These little shits have been planning this for so long. Sherlock talks about the "East Wind" back at the end of last season, and how Mycroft once used it as a scary story to frighten him. And we all knew something was fishy about that woman on the bus. And when Sherlock thought he'd hallucinated a whole person, something seemed wrong about that. And then suddenly John's new therapist... just... wow. We're all culpable, because we all (or at least most of us) didn't see it coming. This woman was in last week's episode, and she was in this episode twice, playing two completely different characters, and I didn't notice it was the same person. That's... really impressive. Not only from the actress, but from the script and the care it took to make these people blend in. Sherlock saw "Faith" through a haze of drugs. John interacted with his therapist across an emotional and physical divide that made him never truly looking into her eyes. I cannot believe John was having an emotional affair with Sherlock's sister. I cannot believe John is being held hostage again. How many times does that make it? I can't believe that Moffat used his disgusting and unfortunate trend of setting women aside in the narrative in order to trick us into ignoring the answer that was right in front of us. It was... brilliant.

I'm forced to admit that this plot twist did a lot in making me come away from the episode with a positive impression. I can't wait to see how the newest Holmes sibling shakes things up. Apparently this is what happens when somebody as brilliant as Mycroft or Sherlock truly goes over to the dark side. It should make for an interesting finale.

My concern, going in to our last episode of Sherlock, maybe ever, but at the very least for several years, is that there's really no way to wrap up all of these dangling plot threads. What about all the ominous hints we've been getting about Mycroft's death? If he does die, will there be enough time to handle the fallout? And what about Moriarty? Is he tied in any way to Eurus, or is this another dangling thread? I feel concerned about what they've taken on, since this show has never been super great at wrapping things up to anybody's satisfaction. We'll have to see how it goes!

7/10

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