His Dark Materials: The Botanic Garden (3x08)

Woof! Okay. Let's talk about it.

Cons:

The thing is, yeah, this episode has the problem it was always going to have, in that it feels disconnected from the rest of the story in a lot of big, obvious ways. We went through so much with Asriel and Coulter, and they barely get mentioned here. Characters like Iorek get barely a sendoff. The aftermath of Asriel's war isn't fully addressed; obviously it's implied that the Magisterium is going to go home with its tale between its legs and none of the angels on Metatron's side are going to bother anyone anymore, but we don't really see much of any of it. The Gallivespians, the other witches besides Serafina, they don't get their due here. This is how the book ends, too, I'm not saying they had a lot of choice in it, but I think the structural problems that have plagued this season are apparent when you have a finale that is kind of doing its own thing, almost entirely cut off from the plotty buildup leading to it.

Father Gomez coming to do his murdering, and Balthamos showing up to thwart him is also something from the books, but again it felt shoe-horned in. I get that I'm kind of contradicting myself, as this is an element that does tie back to earlier in the season, but it feels so disjointed, like, God is literally actually Dead, dude. Move the hell on.

His Dark Materials: The Clouded Mountain (3x07)

Dayummmm I'm gonna cry so much when I watch the last episode, it's not even funny...

Cons:

The thing is, this show never should have tried to pull off an action movie. The special effects don't pass muster, they're forced to rely on shortcuts that just aren't all that visually interesting... angels and witches are having an epic battle but we can't really see it, human troops are valiantly dying for the cause but it's in dark snippets we can barely focus on. The Gallivespians continue to have not enough to do. It's not a matter of what's on the screen being bad, so much as it is a matter of them not being able to put stuff on the screen that should be there, if they really want it to.

Underpinning this problem with effects is a bigger one of Asriel's motivations. This whole time, his vendetta against God himself has been sort of a weak point. In the books, Asriel is more of a distant figure. By giving him so much screen-time in this final season, we sort of shine a spotlight on the fact that his whole war is a little silly and kind of useless. In the end, it's all about Lyra and the prophecy. So why is Asriel bothering with all of this? Is it just a distraction, a la the battle at the black gates in The Lord of the Rings, so Frodo can destroy the ring, or in this case, so Eve has the chance to "fall" the way she's destined to do? I don't know. When you really look at it, kinda weaksauce.

His Dark Materials: The Abyss (3x06)

Man, I got super weepy with this one.

Cons:

I felt like of all the emotional gut-punches in this episode, the one that wasn't as effective for me was Will and his dad. I think this goes back to an error in judgment from the second season. See, in the books, Will and Jopari never get to have a conversation as father and son while they're both alive. This is the first time, in the land of the dead, that they're getting to talk. But here in the show, they got to have a big chat and a slow death scene at the end of season two, so this additional scene just didn't really add all that much? I mean, don't get me wrong, always glad to see Andrew Scott, but other than his hint about how Will belongs in his own world, and instructions on finding his daemon, it felt devoid of the emotion I was wanting to feel.

I should say an overall weak point of the season has been the Gallivespians. I think they might be kind of weak points in the books too, but I remember feeling a deeper sense of connection to them such that when there were moments of tension and action, or even tragedy, it mattered to me. In the show, if you replaced all the Gallivespian characters with literal drone cameras that flitted around after the human characters, I'm not sure it would make any real difference.

His Dark Materials: No Way Out (3x05)

This was an excellent episode!

Cons:

The stuff with Mary Malone continues to be a weak point, and honestly I think that's the consequence of trying to adapt this story in the first place. Atal and the others of her kind are interesting in theory, but they feel so random, so disconnected from the rest of the journey. And they're not quite as weird and alien as I always thought of them from the books, so I think in the back of my head I was really looking forward to the Mulefa and then I saw them and it was sort of a letdown. What Mary learns here about Dust and how it's dying is really important, but with so little time spent setting this up, it feels like it could have been learned elsewhere and without Mary even existing as a character.

I kind of missed checking in with Asriel this week; his plot is "keeps getting ready to do war in the background", which, fine, but I think more of an impending sense of his presence would be helpful.

And my eternal complaint that the daemons should be more integrated into the story. We see how much Lyra is suffering without Pan, we see Mrs. Coulter about to be separated from her own daemon... I think what would be helpful is if we saw the other daemons with the Magisterium characters a bit more. Heard them talk, watched them interact with their environment and bring key insights into certain moments, instead of just feeling like an afterthought.

His Dark Materials: Lyra and Her Death (3x04)

There's a weakness in this episode that I think carries over from the book too, maybe, but I think the problem is exacerbated here... let's discuss.

Cons:

I know how this story ends, so I get why Lyra is headed for the land of the dead. I know how it all connects. But the story we've been told thus far... Lyra going after Roger when the cost is so extreme, just doesn't quite fit. The heart-rending scene with Pan where she's leaving him behind would work a lot better if a) the audience understood why Lyra going to Roger was more important than staying connected to her very soul, and b) if the daemons were better represented throughout the show. As it was, the performance from Dafne Keen was phenomenal, but the buildup did not lead to this moment having the impact you would want it to, because in the back of your head you're just going... Lyra, don't leave him, then... I'm sorry, it's sad that Roger died, but you can't actually help him now, so why are you doing this?

His Dark Materials: The Intention Craft (3x03)

Oh boy, I can't wait for episode four, I have a feeling it's going to make me a little weepy. But let's talk about this one first!

Cons:

The effect on the Gallivespians is... weird. They've got the scaling situation going, but it doesn't ever really feel like they're in the same place? Like when Lady Salmakia is talking to Lyra and Will, it doesn't feel like they're actually physically near each other. And the scene where she attacks them, angry about the knife being broken, it really did feel like the kids were flinching away on cues from someone off-camera, not to an actual living person existing in their environment.

Mary Malone... it's strange that we're not making progress quicker with her. She's on her journey, and I know where it's going, but there are five episodes left the show, and we're just now getting to the point that I think of as the beginning of her story? So I don't know, that's a little odd, pacing-wise.

Also odd for pacing was to have Balthamos come back for like two seconds just to say "oh, you're going to the land of the dead. Okay, bye, then." I guess I'm glad to see him, but not really sure what the point was there.

His Dark Materials: The Break (3x02)

Oh boy oh boy!! It's so fun to be someone who knows roughly what's coming, because shit is already getting wild.

Cons:

So I'm going to have a lot of praise for Ruth Wilson, who plays Mrs. Coulter, in a second, but there was one part in the script that I wasn't as wild about. The moment when Will has Lyra and is about to use the knife to run away and leave Marisa behind... see, this is such a pivotal moment, such a key lynchpin of the story, and I wanted Coulter's behavior to be a little more, what's the word, deranged? Unsettled? As it was, it felt like she was still in almost entirely manipulation mode, playing off of Will's feelings about his own mother to get what she wants. And that's such a key part of Marisa's character, her skilled manipulation, I get that... I just wanted this moment to be used to show the ways in which she's unraveling a bit more. A subtle thing, that I'm having a bit of a hard time articulating, but there it is.

I really like Balthamos in this adaptation but I wish there had been a bit more time with him as he's processing his grief and his purpose in life now that Baruch is gone (RIP, buddy, we hardly knew ye). I recall in the books really getting to watch this angel go through, like, a crisis of faith? It was strange and lovely and painful, and I feel like we didn't get enough time with it here. Maybe as the season goes on we'll fold that concept in better, who knows.

His Dark Material: The Enchanted Sleeper (3x01)

We're back, and it's the final season! This episode picked up right where we left off, without missing a beat. My thoughts and feelings are remarkably similar to how I think I was feeling a couple years ago when season two was on the air. Let's dive in.

Cons:

The church stuff is such an important piece of the puzzle especially here in the third season/book, but I still find myself the most bored whenever we flip back to dealing with Fra Pavel, and that whole world. It's not that it's bad, necessarily, it's just sort of... dour, and slow, in a way that I don't feel gripped by.

I also thought Will and Iorek's interaction was a bit oddly paced? I get that there's a lot of book to get through very quickly and we only have eight episodes to do it, but Will finds Iorek, immediately challenges him to a duel and then uses the knife to cut through a bit of his armor, showing that he has a weapon too powerful to beat. This is straight from the book, and yet it felt very contrived and way too easy that Will would think of this idea right away and it would work so neatly. Maybe a small thing, but just thought I'd point it out.

An eternal complaint I have about this show is that the daemons are not front-and-center enough on the screen, which makes it easy to forget about them sometimes. Which is a problem, when so many key story elements are contingent on whether or not a person has a daemon with them or not. More visible daemons, please!